Angela Reeves Collection, 1960s-2008 | University of Northampton Archive

By Phil Oakman, Maggie Peach, Lucy Culverhouse

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Collection Overview

Title: Angela Reeves Collection, 1960s-2008

Predominant Dates:1970s - 1990s

ID: AR/01/Gra

Primary Creator: Reeves, Angela

Extent: 0.0

Date Acquired: 10/06/0009. More info below under Accruals.

Subjects: Angela Reeves, Design, Graphics, Reeves, Angela, The University of Northampton Angela Reeves Collection

Languages: English

Scope and Contents of the Materials

This series of design ephemera and memorabilia was collected by Angela Reeves, 1942-2008 and kindly donated by her family.

The collection contains works designed by Angela as well as ephemera and memorabilia relating to all aspects of graphic design collected by her.

Early drawings and sketches by Angela date back to her school and college days. A number of the drawings that she produced indicate that they were submitted as part of a portfolio for entrance to the London School of Printing and Graphic Arts.

Later designs reflect both her freelance work and that carried out while employed by companies such as British European Airways, the BBC, Royal Mail, New York University, Chermayeff and Geismar, Ilford and the Torin Corporation. Many publications relating to the industry were collected and retained by Angela over her life time and form part of this collection. These include pamphlets, booklets, annual reviews and promotional material published by Newell and Sorrel (Utopian Papers), Pentagram Design and the Wynkyn de Worde Society.

Also forming part of the collection are news stories, memorabilia and ephemera that relate to people and events that featured in Angela's life. The people include Marcel Breuer, Claes Oldenberg and F.H.K. Henrion while the events include the 1975 American bicentenial exhibition at the British Museum and the 1968 Mexican Olympics.

Collection Historical Note

Angela had a solid career in corporate graphic design and she kept pretty much everything from her career - from all her exercises at Foundation at Chelsea College , through most of her work at the London College of Printing in the early 60's. She then went straight into working for BEA and other corporate organisations, was self employed for some time, was president of the Design Research Unit, worked with Chermayeff and Geismar in New York 68 - 72; ran the BBC Educational books design section; worked for Royal Mail in stamp commissioning through the 80's and early 90's and then went back to New York to work on the design standards of the Smithsonian Museums again for Chermayeff and Geismar. She also worked a lot at Exeter and Brighton supporting design student portfolios.

Biographical note created by family member.

Subject/Index Terms

Angela Reeves
Design
Graphics
Reeves, Angela
The University of Northampton Angela Reeves Collection

Administrative Information

Repository: University of Northampton Archive

Accruals: We do not expect that there will be major accruals to this collection but the University would welcome the chance to discuss any further potential donations of records relating to Angela Reeves or graphics and design more generally.

Access Restrictions: All items are accessible

Use Restrictions:

Normal copyright restrictions apply

The University of Northampton takes copyright seriously and only makes content available in its Archive Catalogue in accordance with current UK legislation.

All reasonable effort is made by The University of Northampton to obtain copyright holders’ consent before publishing the images represented in our Archive Catalogue. We would like to ask that any copyright owners who are not properly identified in our Archive Collections contact us so that we may make the necessary corrections or removals.

Acquisition Source: Kindly donated and supported by Camilla Hale and Professor Adam Reeves.

Acquisition Method: Donation.

Box and Folder Listing

Browse by Box:

[Box 1: Folder containing drawings, sketches and designs, 1950s-1960s],
[Box 2: Folder containing drawings, sketches and designs, 1960s],
[Box 3: Folder containing drafts of work, 1960s],
[Box 4: Folder containing drawings, sketches and designs, 1960s],
[Box 5: Box containing Angela's artistic tools and ephemera, 1961-2000],
[Box 6: Box containing Pentagram publications and examples of typefaces., 1970-1998],
[Box 7: Box containing different publications on the subject of typography, 1957-1991],
[Box 8: Box containing a mix of publications relating to design - graphic and fashion., 1971-1998],
[Box 9: Box containing publications relating to work by various designers, 1945-1996],
[Box 10: Box containing publications and ephemera relating various companies and Angela Reeves, 1956 - 2009],
[Box 11: Box containing material relating to Claes Oldenburg, 1969-1970],
[Box 12: Box containing Angela's Curriculum Vitae and certificates, 1976-2006],
[Box 13: A tied cardboard folder holding items relating to the Touch Exhibition, September 1999],
[Box 14: Box containing letters, drawings and examples of work, 1960s-2006],
[Box 15: Box containing 4 books, 1961-1982],
[Box 16: Box containing various items relating to company policies, and some designs by Angela and others., 1997-1999],
[Box 17: Box containing two companies' design guidelines, 1965-1986],
[Box 18: Box containing ephemera from graphic design companies, 1964-2004],
[Box 19: Box containing annual reports, design guidelines and other graphic design ephemera, 1972-1999],
[Box 20: Box containing ephemera from companies that specialise in engraving and paper production and ephemera from events, 1964 - 1999],
[Box 21: Portfolio containing examples of Angela's work, 1962-1996],
[Box 22: Box containing memorabilia relating FHK Henrion and profiles of designers, 1987-1991],
[Box 23: Box containing a mixture of publications relating to many aspects of design, 1964-2004],
[Box 24: Slides, 1996],
[Box 25: Slides, [1996]],
[Box 26: Slides and other ephemera, [1984-]],
[Box 27: Box containing exhibition catalogues, ephemera from the Mexican Olympics, some articles and ephemera, 1968-1975],
[Box 28: Box containing items relating to design research and guidelines, 1967-[1974]],
[Box 29: Box containing booklets that relate to a broad range of design topics and several booklets unrelated to design., 1967-1984],
[Box 30: Box containing New York University Publications, 1969-1973],
[Box 31: Box containing New York University Publications, 1969-1971],
[Box 32: Box containing examples of Angela's work and other ephemera, 1920-1962],
[Box 33: Box containing exhibition catalogues and photographs, annual reports and design guidelines, 1970-1973],
[Box 34: Box containing company publications that Angela designed, 1971-1979],
[Box 35: Box containing examples of Angela's work, 1962-1996],
[Box 36: Box containing a red folder holding design work by Angela, personal and professional correspondence and other ephemera, 1981 - 2008],
[Box 37: Box containing Angela's sketch books, stamps and framed pictures, 1959-1993],
[Box 38: Portfolio containing examples of Angela's work, 1965-1983],
[Box 39: Folder containing certificates, diplomas and a poster, 1964-1991],
[Box 40: Envelope entitled Graphics Collection, 1984],
[Box 41: Tube containing 18 Torin Exhibition drawings, 1974-1979],
[[information restricted]],
[Box 43: Box containing three folders of typefaces, 1973],
[Box 44: Box containing the Smithsonian Design Guidelines, 1998],
[Box 45: Two paintings, 1967],
[All]

Box 5: Box containing Angela's artistic tools and ephemera, 1961-2000

A box containing artists' tools, consisting mainly of rulers and set squares that belonged to Angela. Other items in the box are mainly ephemeral and include invitations, advertising brochures, change of address cards, journals and corporate Christmas cards.

Condition: Good

Location: M3 - a (Archive racking)

Unique Identifier: AR/01/Gra/005

Item 1: Proportion Wheel, 1967

A cardboard wheel, with a smaller wheel, that can be turned, attached to it. An oblong shaped window has been cut out of the smaller wheel. Figures representing inches and the words ‘reproduction size’ are printed around the edge of the larger outer wheel, while the smaller inner wheel has the words ‘reduction ratio’ and percentage of ‘original size’ written either side of the window shaped cut out as well as original size beneath the figures, also representing inches, around its’ edge. The proportion wheel was made for Eastern Artists and Drafting Materials Inc., in New York and New Jersey and instructions on how to use it appear on the back. The proportion wheel is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/1

Item 2: Twelve inch ruler, [1961-2000]

A ruler marked along the upper edge with 8 point and with 12 inches along the lower edge. On the other side the ruler is marked with 6 point 12 point along the top edge and 10 point 5 point along the bottom edge. The ruler is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/2

Item 3: 300 millimetre ruler, [1961-2000]

A rustless chrome face ruler marked on one side with 300 millimetres along the lower edge and 8 point along the upper edge. On the other side 6 point 12 point are marked along the top edge and 10 point 5 point on the bottom edge. The product number A9830 is marked on one side of the ruler which is contained in a plastic sleeve and is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/3

Item 4: Twelve inch ruler, [1961-2000]

A rustless chrome face ruler marked on one side with 12 inches along the lower edge and 8 point on the upper edge. On the other side it is marked with 6 point 12 point along the top edge and 10 point 5 point along the lower edge. The product number No476R is marked on one side. The ruler is contained in a plastic sleeve along with a cardboard insert, and is one of the tools that Angela used in the course of her work. The sleeve has space for a total of four rulers altogether.

Condition: Good

Unique Identifier: AR/01/Gra/005/4

Item 5: Twelve inch ruler, [1961-2000]

A rustless chrome face ruler marked on one side with 12 inches along the lower edge and 8 point along the upper edge. On the other side it is marked with 6 point 12 point along the top edge and 10 point 5 point along the lower edge. The product number No476R is marked on one side. The ruler is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/5

Item 6: Twelve inch ruler, [1961-2000]

A plastic, wooden look, ruler marked with 12 inches along the upper edge which is identified as full size and with 24 half inches along the lower edge identified as half size. The ruler is marked on one side only with a raised central ridge which has a metal shape screwed to each end. A number, 2711 c, is marked on the centre of the ruler along with the company name, Charles Bruning Co. Inc. The ruler is one of the tools that Angela used in the course of her work.

Condition: A small piece has been chipped off from the top left hand corner

Unique Identifier: AR/01/Gra/005/6

Item 7: Large circle template, [1961-2000]

A soft, plastic, large circle template marked with the RapiDesign logo and the number No. 140. A note at the bottom of the template says that there is a pencil allowance on all holes. There are 45 holes on the template ranging from one sixteenth to 2¼ inches in diameter. The template is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/7

Item 8: Six inch set square, [1961-2000]

A clear plastic set square made by Unique with a number 2-546B marked on it. There are no other number marked on the item which measures six inches along both the horizontal and the vertical edges. The set square is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/8

Item 9: Eight inch set square, [1961-2000]

A clear plastic set square made by Geliot-Whitman Ltd. There are no other numbers marked on the item which measures eight inches along both its horizontal and its vertical edges. The set square is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/9

Item 10: Eight inch by fourteen inch set square, [1961-2000]

A clear plastic set square made by Unique with the number 3614B marked on it. There are no other numbers marked on the item which measures eight inches along its’ horizontal edge and fourteen inches along its’ vertical edge. The set square is one of the tools that Angela used in the course of her work.

Condition: Good

Unique Identifier: AR/01/Gra/005/10

Item 11: Hard-backed blue covered booklet - Bradbury Wilkinson and Co. Ltd, [1961-2000]

A small, hard backed, booklet which has a navy blue cover with no title details. The booklet is advertising different colours of ink available for use in printing. The pages of the book are each separated by a page of tracing paper. Each page shows a picture of a windmill close to a river bank below the words ‘Bradbury Wilkinson and Co. Ltd., New Malden, Surrey, England. Each page depicts a different colour and they are numbered 1 to 25 in their lower left hand corner with the colour of the ink used in the lower right hand corner.

Condition: Good

Unique Identifier: AR/01/Gra/005/11

Item 12: Continental Anchor - holiday custom cards, [1961-2000]

A white folded card on good quality paper with an embossed snow flake design in the centre bordered with a silver edge. The card, from Continental Anchor Ltd., was sent to encourage sales of custom cards for the holiday. A white envelope, accompanying the card, has Continental Anchor Ltd., along with the address, in silver lettering on top left hand side of the flap and on the bottom right hand side of the flap are the words ‘Fine Engraving since 1890’.

Condition: Good

Unique Identifier: AR/01/Gra/005/12

Item 13: Red thank-you card and white envelope, [1961-2000]

A red card with the words Thank You printed in a central square in white letters. The background of this square has 'thank you' printed many times in small capital letters with an embossed larger thank you across the centre in fancy italic lettering. The card is accompanied by a white envelope.

Condition: Good

Unique Identifier: AR/01/Gra/005/13

Item 14: Brown embossed Christmas card, [1961-2000]

A brown coloured card with a design of thistles embossed onto its centre. This design was first created in 1914 for the Blanford Deckle Edge Book Paper Swatchbook, indicated in gold lettering on the back of the card. Inside, a white piece of card printed with gold lettering wishes joy, peace and friendship for the holiday season and throughout the coming year from Strathmore Papers. This has been stuck onto the inside back of the card and is signed by Mary Ellen and Sally.

Condition: Good

Unique Identifier: AR/01/Gra/005/14

Item 15: Red embossed Christmas card, [1961-2000]

A red embossed card that has a thistle design, picked out in gold, on the centre of the left hand edge which forms a flap from which the card opens out. The thistle design has the word season’s above it and the word greetings below it. This design is continued across the front of the card in small embossed squares. Inside the card a white piece of card is attached to the back of the flap and is printed with gold lettering wishing joy, peace and friendship for the holiday season and throughout the coming year from Strathmore Papers. It is signed by Mary Ellen.

Condition: Good

Unique Identifier: AR/01/Gra/005/15

Item 16: Gold embossed cream card, [1961-2000]

A cream card with a gold embossed design in the centre. Words printed at the top of the design say Top to Top and at the bottom of the design PepsiCo. Inside the card is blank.

Condition: Good

Unique Identifier: AR/01/Gra/005/16

Item 17: Maroon change of address card, [1961-2000]

A maroon coloured card from Strathmore and Beckett Papers. The card has a very small copy of an American coin (Roosevelt Dime) glued to the centre front of it. Inside the card under the heading ‘There’s been a small change in New York’ is the new address for Strathmore and Beckett Papers. The phone numbers for Mary Ellen Donohue and Sally Kenyon are included.

Condition: Good

Unique Identifier: AR/01/Gra/005/17

Item 18: White embossed invitation card, 1993

A white card, embossed with Lily of the Valley plants in its centre. The design of the cover was inspired by ‘Muguet de Mai’ a watercolour on vellum by Pierre Joseph Redoute, botanical artist to Empress Josephine. Inside, printed in gold, is an invitation to a champagne reception and preview of the new collection from Van Cleef and Arpels. The date of the reception is Thursday May 6, 1993.

Condition: Good

Unique Identifier: AR/01/Gra/005/18

Item 19: Soft-backed booklet - Image Value, [1961-2000]

A booklet, with a soft cover, that has numbers in different sizes covering it. The booklet is entitled Image Value, with the words in small gold letters at the top and bottom of the cover. In the centre of the cover is a dark green oblong with a face made out of numbers depicted in its’ centre. The numbers making up the face are embossed in gold. Inside the book contains examples of the finest engraved corporate identity materials in North America. Interspersed amongst the corporate logos some of the attitudes of business executives to the corporate identities are documented.

Condition: Good

Unique Identifier: AR/01/gra/005/19

Item 20: White folded envelope containing four sheets of card, [1961-2000]

A white envelope with a circular seal that has the letters CA embossed on it in gold. Inside the envelope are four sheets of sticky back card, two in red and two in green. Each piece of card has four cut out shapes, a circle, a square, a triangle and a hexagon, for peeling off on them. Each of the shapes has a word or words in white lettering across its centre. The words are Peace, Joy, Happy Holidays, Ho! Ho! Ho!, Best Wishes, Season’s Greetings, Love and Happy New Year.

Condition: Good

Unique Identifier: AR/01/Gra/005/20

Item 21: Willmann Paper Company Inc. Second Annual Designer Fete invitation, 1992

An invitation to the Second Annual Designer Fete, for a champagne lunch and exhibition on 22nd October 1992, from Willmann Paper Company Inc.. The invitation is covered with a textured paper cover with a scene, printed in red, across its’ centre depicting naked young boys working. Inside the cover is another transparent cover with a Grecian pillar printed on either side. Enclosed with the invitation is a card for reply which has the scene printed across the top of it. The recipient is asked to reply before October 15, 1992.

Condition: Good

Unique Identifier: AR/01/Gra/005/21

Item 22: Continental Anchor Ltd. - holiday custom cards, 1998

An embossed and engraved card from Continental Anchor Limited advertising a 10% discount on orders placed before 15th October 1998 to ‘create an unusual and memorable holiday wish for clients, prospects and friends’. The inside of the card is blue with white lettering while on the outer front cover the blue background is covered in small white stars. A white translucent card covers the blue inner and has the words ‘Star Light Star Light’ embossed on the front and ‘First Star I see’ on the back. The card is contained in a translucent envelope which has several blue stars scattered along its’ top edge and is addressed to Angela Reeves at Chermayeff and Geismar Inc., 15 East 26 Street, New York, NY 10010.

Condition: Good

Related to: AR/01/Gra/005/23

Unique Identifier: AR/01/Gra/005/22

Item 23: Continental Anchor Ltd. - holiday custom cards, 1998

Condition: Good

Related to: AR/01/Gra/005/22

Unique Identifier: AR/01/Gra/005/23

Item 24: Evans Life Foundation - booklet and envelope, 1992

A small booklet which celebrates the fifth anniversary of Evan’s Life Foundation, a non-profit organisation set up by Pat and Greg Samata to provide help and support to children. Pat and Greg Samata set up the foundation following the loss of their son. The book is a graphic representation of the work the foundation has accomplished and was sent to Angela by the Fine Arts Engraving Company. The envelope containing the booklet is made of red card and addressed to ‘Ms. Angela Reeves, Chermayeff and Geismar Inc., 15 East 26th Street 12th Flr.

New York, NY 10010-1505.

More details about the Evans Life Foundation and how to make donations to it can be found at: http://www.evanslife.org

Condition: Good

Unique Identifier: AR/01/Gra/005/24

Item 25: Soft-backed booklet from the Technical School for the Printing and Allied Trades, Utrecht, [1961-2000]

A small green covered booklet, that is contained in a folded buff coloured card envelope. The booklet was produced by the staff and students of the Technical School for the Printing and Allied Trades in Utrecht. Its' function is to demonstrate how the school keeps up to date with new requirements and developments to ensure the continued progress of the printing industry.

Condition: Good

Unique Identifier: AR/01/Gra/005/25

Item 26: Lida Lopes Cardoza - Glass and Engraver, 1983

A small grey covered booklet with the words ‘Lida Lopes Cardozo Glass and Engraver with emphasis on lettering Cambridge 1983’ in black lettering on the front. The booklet explains how to engrave onto glass objects. Inside the front and continued on the back flap is a short résumé of Lida Lopes Cardozo’s career.

Condition: Good

Unique Identifier: AR/01/Gra/005/26

Item 27: HGV Visual Identities - booklet, [1961-2000]

An orange covered booklet with the words ‘HGV visual identities’ in black lettering on the front. The booklet contains a sample of the visual identities designed by HGV for a broad range of organisations. Inside the booklet is an orange card with a short message to Angela, hoping she is well and a promise to phone her soon from Pierre.

Condition: Good

Unique Identifier: AR/01/Gra/005/27

Item 28: The Bookplate Journal, September 1987

A complete issue of the Bookplate Journal, volume 5, number 2, September 1987.

Condition: Good

Related to: AR/01/Gra/005/29 and AR/01/Gra/005/30

Unique Identifier: AR/01/Gra/005/28

Item 29: The Bookplate Journal, March 1991

A complete issue of the Bookplate Journal, volume 9, number 1, March, 1991

Condition: Good

Related to: AR/01/Gra/005/28 and AR/01/Gra/005/30

Unique Identifier: AR/01/Gra/005/29

Item 30: The Bookplate Journal, September 1991

A complete issue of the Bookplate Journal, volume 9, number 2, September, 1991

Condition: Good

Related to: AR/01/Gra/005/28 and AR/01/Gra/005/29

Unique Identifier: AR/01/Gra/005/30

Item 31: Blackburn, Young and Haykel promotional catalogue, [1961-2000]

‘You never get a second chance to make a first Impression’ is the title embossed on the white cover of a spiral bound promotional catalogue. The catalogue was produced by BlackburnYoungHaykel and is promoting their expertise in developing corporate identities for their clients.

Condition: Good

Unique Identifier: AR/01/Gra/005/31

Item 32: Table Manners for Children, 1990

A small hard-backed book with a buff coloured paper cover. The title details are surrounded by a decorative frame and read ‘Table Manners for Children Stans puer ad mensam By John Lydgate’. Complete with an introduction, this book contains a reproduction of a pamphlet printed by William Caxton in 1476 on his Westminster Press. This offset edition was published by the Wynkyn de Worde Society in 1990 with the permission of Walter Partridge of Perdix Press who published a limited edition of the work in 1989.

Condition: Good

Unique Identifier: Ar/01/Gra/005/32

Item 33: 'de Worde - The journal of the Wynkyn de Worde Society, 2001

A complete issue of ‘’de Worde the journal of the Wynkyn de Worde Society’ volume 8, number 1, December 2001.

Condition: Good

Unique Identifier: AR/01/Gra/005/33

Item 34: Founder's London A-Z, 1998

A publication entitled ‘Founder’s London A-Z a showing and synopsis of ITC Founder’s Caslon’ put together by the European Friends of the St. Bride Printing Library provides an insight into the history of the printing industry in London. The publication is printed using a pre-release version of ITC (International Typeface Corporation of New York) Founder’s Caslon typeface for the first time. In September 1998 250 copies were presented to the Wynkyn de Worde Society by the printer Cloister press, the type-founder presented 500 copies to ATypI, Lyon, in October 1998 and there were 250 copies for the Friends of the St. Bride Printing Library. The publication is accompanied by a compliments slip from the Cloister Press which bears the handwritten words ‘Best wishes, Philip’ in blue ink.

Condition: Good

Unique Identifier: AR/01/Gra/005/34

Item 35: Alpha Workshop booklet, [1999]

A small buff covered booklet written as a testimonial to Sebastian Brooke who set up the Alpha Workshop in Stroud, Gloucestershire. The workshop was founded in 1999 and the booklet showcases several pieces of Sebastian Brooke’s work.

Condition: Good

Unique Identifier: AR/01/Gra/005/35

Item 36: The Devil's Pi, 1967

The Devil’s Pi by Eli Cantor was printed as a Christmas keepsake for the Friends of the Composing Room, Inc., New York in 1967. With illustrations by Milton Glaser the book has a red hard cover with the title in gold embossed lettering.

Condition: Good

Unique Identifier: AR/01/Gra/005/36

Item 37: News at Ten, 1998

News at Ten is a red covered hard bound book produced by HGV Design Consultants to celebrate the company’s tenth anniversary. The book contains a news headline from the ten years 1988 – 1998 on each page along with an illustration of that headline. A bookmark with the book has prices of every day items and some statistics from 1988 on one side and the same items with their 1998 equivalents on the other side. Enclosed in the cover of the book is a compliments slip which reads ‘I hope you are well, Love Pierre’. Pierre has also written ‘To Angela, Love Pierre’ on the first page of the book.

Condition: Good

Unique Identifier: AR/01/Gra/005/37

Item 38: School of Visual Arts New York Prospectus, 2000

The Interior Design Department of the School of Visual Arts, New York, prospectus for the year 2000. Brightly coloured in using shades of orange and yellow the prospectus is a soft covered booklet with two holes punched in its' left hand side. It contains examples of floor plans, elevations and perspectives taken from senior thesis projects and quick sketch assignments.

Condition: Good

Unique Identifier: Ar/01/Gra/005/38

Item 39: The Puffin Book of Lettering, 1961

The Puffin Book of Lettering, written by Tom Gourdie, is number 117 in the Puffin Picture Book series. This small booklet looks at the size and space of lettering as well as different alphabet styles. A price of 2/6 (two shillings and sixpence) is printed on the front cover.

Condition: Good

Unique Identifier: AR/01/Gra/005/39

Item 40: Update - Newell and Sorrell, [1996]

A document produced by Newell and Sorrell, which documents their design work for the royal Mail over a twelve year period from 1984 when they were commissioned to design a set of stamps to celebrate the 50th anniversary of the British Council. Angela Reeves is mentioned on page 4 under the title Growing knowledge.

Condition: Good

Related to: AR/01/Gra/005/41

Unique Identifier: AR/01/Gra/005/40

Item 41: Royal Mail Postcard, [1996]

A Royal Mail postcard, designed by Newell and Sorrell that accompanied the ‘Update’ document. The postcard has the words ‘Dear Angela, I hope you find this ‘Update’ interesting, John’ written on the back in blue ink.

Condition: Good

Related to: AR/01/Gra/005/40

Unique Identifier: AR/01/Gra/005/41

Item 42: The Utopian Papers Number 12, 1999

Time for Change, by Heather Rabbatts, was the subject of a talk she gave at Interbrand Newell and Sorrell in March 1999. At the end of the book are the questions and answers from the opportunity given at the end of the talk for the audience to ask their questions. This publication is number 12 in The Utopian Papers series of publications.

Condition: Good

Related to: AR/01/Gra/005/43, AR/01/Gra/005/44 and AR/01/Gra/005/45

Unique Identifier: AR/01/Gra/005/42

Item 43: The Utopian Papers Number 15, 1999

Time to make a Difference, by Jennie Page, was the subject of a talk she gave at Interbrand Newell and Sorrell in November 1999. At the end of the book are the questions and answers from the opportunity given at the end of the talk for the audience to ask their questions. This publication is number 15 in The Utopian Papers series of publications.

Condition: Good

Related to: AR/01/Gra/005/42, AR/01/Gra/005/44 and AR/01/Gra/005/45

Unique Identifier: AR/01/Gra/005/43

Item 44: The Utopian Papers Number 16, 2000

Changing Lives, by David Constantine, was the subject of a talk he gave at Interbrand Newell and Sorrell in February 2000. At the end of the book are the questions and answers from the opportunity given at the end of the talk for the audience to ask their questions. This publication is number 16 in The Utopian Papers series of publications.

Condition: Good

Related to: AR/01/Gra/005/42, AR/01/Gra/005/43 and AR/01/Gra/005/45

Unique Identifier: AR/01/Gra/005/44

Item 45: The Utopian Papers Number 17, 2000

Just Doing It, by Adam Crozier, was the subject of a talk he gave at Interbrand Newell and Sorrell in May 2000. At the end of the book are the questions and answers from the opportunity given at the end of the talk for the audience to ask their questions. This publication is number 17 in The Utopian Papers series of publications.

Condition: Good

Related to: AR/01/Gra/005/42, AR/01/Gra/005/43 and AR/01/Gra/005/44

Unique Identifier: AR/01/Gra/005/45